Book Review Blog Carnival #66: Doris Day Edition

Welcome to the April 3, 2011, edition of the Book Review Blog Carnival -- number 66 in the series! The 65th edition can still be viewed at I'll Never Forget the Day I Read a Book! Two weeks from today, look for the next edition at Izgad.

Today is the 88th birthday of actress, singer, animal-rights activist, and America's sweetheart, Doris Day, who herself has been the subject of several books in recent years, including Doris Day: The Untold Story of the Girl Next Door, by David Kaufman (2009); Doris Day: The Illustrated Biography, by Michael Freedland (2009); Doris Day: Sentimental Journey, by Garry McGee (2010); Doris Day: Reluctant Star, by David Bret (2009); and Considering Doris Day, by Tom Santopietro (2008). All in all, that's a lot of attention paid to a film star who hasn't made a movie since 1968.

And now, on to the carnival ...

children's and young adult books

Alexia presents Book Review: Darkness Becomes Her posted at Alexia's Books and Such..., saying, "A fun new entry into the Young Adult market!"

Jim Murdoch presents Milkweed by Jerry Spinelli posted at The Truth About Lies, saying, "Beginning as the Germans invade the city we follow an innocent and ignorant young boy who only knows himself as Stopthief because he survives by stealing. He is given the name Misha by another boy who befriends and protects him and his family becomes a group of homeless orphan boys scratching out a life on the streets and eventually get rounded up and locked inside the Warsaw Ghetto where they provide an essential service as smugglers."

Read Aloud ... Dad presents Incredible Illustrated Editions: Jonathan Swift`s Gulliver posted at Read Aloud Dad, saying, "I felt it would be a shame if I could not find a way to get my young twins acquainted with Swift's masterpiece and its principal motifs. So I found the best illustrated edition!"

fiction and literature

Alexia presents Book Review: Pale Demon posted at Alexia's Books and Such..., saying, "A 5/5 amazing read! Best Rachel Morgan story in the whole series!"

Angela England, Feature Writer presents Classic Tales by Irish Authors posted at Blissfully Domestic, saying, ""In fact, some of literary circles most poignant novels have been penned by Irish authors. ""

Marisa Wikramanayake presents Dead Man’s Chest (2010) posted at Jacket & Spine.

Mark Baker presents What's On My Nightstand March 2011 Edition posted at Random Ramblings from Sunny Southern CA, saying, "Here's a review of The Baker Street Letters by Michael Robertson. I enjoyed this debut mystery."

Mon presents Love, Again posted at ink + chai.

Thomas Burchfield presents Nabokov's Gift to a Midnight Reader posted at A Curious Man, saying, "My delightful experience reading The Gift by Vladimir Nabokov."

At Man of la Book, Zohar presents Book Review: Hotel on the Corner of Bitter and Sweet by Jamie Ford, as well as Book Review: The Stairway to Heaven by Therese Zrihen-Dvir, Book Review: The Help by Kathryn Stockett, and Book Review: 31 Bond Street by Ellen Horan.

history

Marisa Wikramanayake presents Spinner (2010) posted at Jacket & Spine.

Scott presents Review: Gay New York posted at A Canadian Lefty in Occupied Land, saying, "A book review of Gay New York: Gender, Urban Culture, and the Making of the Gay Male World 1890-1940."

Clark Bjorke presents The World That Made New Orleans posted at I'll Never Forget the Day I Read a Book!, saying, "World history from the point of view of the Big Easy."  Ned Sublette's book's subtitle is the intriguing "From Spanish Silver to Congo Square."

The Charlottesville Libertarian Examiner presents a two-part interview with political scientist Paul Kengor, who teaches at Grove City College in Pennsylvania.  Kengor talks about his book, The Crusader:  Ronald Reagan and the Fall of Communism, a historical analysis of the final years of the Cold War.

non fiction

D. J. McGuire reviews James A. Bacon's Boomergeddon: How Runaway Deficits and the Age Wave Will Bankrupt the Federal Government and Devastate Retirement for Baby Boomers Unless We Act Now in "Why the sky won't necessarily fall" at The Right-Wing Liberal.

Jim Murdoch presents Minding my Peas and Cucumbers by Kay Sexton posted at The Truth About Lies, saying, "If you’ve ever thought it might be nice to have an allotment then this is the book you should read first. It traces author Kay Sexton’s experiences from novice to finally getting her own allotment; it takes a looooong time to get an allotment. So while you’re waiting it might be a good idea to read this mix of memoir, mystery novel, gardening book, etiquette guide, cookbook and science textbook."

Marisa Wikramanayake presents Wardrobe 101: Creating your perfect core wardrobe posted at Jacket & Spine.

Mike Sprouse presents Second Review of The Greatness Gap posted at Open Mike.

Trevor Schmidt presents Book Review: Lone Survivor posted at Bookophile Reviews, saying, "Check out the rest of my book reviews @ Bookophile Reviews!" Written by Marcus Luttrell, Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10 is "the story of four Navy SEALs who fought against a force of as many as 150 Taliban and the one SEAL who made it out alive."

Try Audible and Get Two Free Audiobooks

writing

Melissa Batai presents Bookin’ It: Working Writer, Happy Writer posted at Mom's Plans, saying, "If you are looking to make money from home and would like to work as a writer, I highly recommend Working Writer, Happy Writer."

Penny Zang presents Best Book on Writing. Ever. posted at Miss Good on Paper. She writes: "There is one book I return to again and again, though. It is the book I recommend to all aspiring writers and the book from which I make copies for my students: Bird by Bird by Anne Lamott."

shameless self-promotion

Last month was the Virginia Festival of the Book in Charlottesville, and I had an opportunity to interview some of the participants, including the chairman of the National Endowment for the Humanities, Jim Leach, and the president of the Virginia Foundation for the Humanities, Robert Vaughan.

As I noted in the interview with Vaughan,

... the annual Virginia Festival of the Book brings about 25,000 visitors to the city to hear and engage with authors, publishers, book reviewers, and bibliophiles.

The 2010 festival hosted 160 events featuring 307 authors, drawing visitors from 35 states and at least six foreign countries.

For his part, NEH Chairman Leach (a former Republican congressman from Iowa), gave several illustrations to explain why it is important to study and support the humanities:

“If you read literature, you put yourself in somebody else’s shoes. You learn from great figures in literature. You can learn lessons not to repeat from [those who] might be considered characters that you don’t identify with.

“History provides a sense of where we’ve been and lessons that can be taken forward.

“Philosophy gives one a barometer [of] ethics of how we could and should lead our life,” he continued, “so I think the humanities have never been more important, particularly as the world becomes so change-intensive.”

I also recently had the opportunity to interview (by telephone) playwright, screenwriter, and novelist Michael Slade about his new musical play, And the Curtain Rises, which had its world premiere at Signature Theatre in Arlington, Virginia, on March 27. Slade has written children's theatre, scripts for several daytime soap operas, and a young adult novel, The Horses of Central Park.

In explaining how he wrote And the Curtain Rises, which tells the story of The Black Crook, arguably the first musical comedy produced on Broadway, Slade told me:

“I love the process of researching,” Slade said.

“I was not the best student in school, but afterwards I discovered how much fun research was. One can do almost everything on line these days but there’s something about going places and handling real books and articles.”

"Real books and articles" -- that's what we readers are all about, no?

With that, we close the 66th edition of the Book Review Blog Carnival. Submit your blog article to the next edition using the carnival submission form.  Past posts and future hosts can be found at the blog carnival index page.

Four Books to Stuff Into Christmas Stockings

I wish to recommend the four best books that I have read in the past year.  Three are non-fiction, one is fiction.  I regret not having written full-length reviews of these books yet, but I may get around to it eventually.

By far my favorite book of 2010 has been Daniel Okrent's Last Call:  The Rise and Fall of Prohibition.  The title is self-explanatory but completely understates the rich lode of historical matter that Okrent has gathered between the book's covers.  I thought I knew the story of Prohibition, and I was wrong.  So many rich details had slipped my notice over the years, including the seminal work of Wayne B. Wheeler, the pre-eminent lobbyist for Prohibition, who basically invented grass-roots political organizing and direct-mail fundraising years before Marvin Liebman, Richard Viguerie, or MoveOn.org.

Neither did I know how the forces of Prohibition had undermined the Constitution by preventing for a full decade the mandated reapportionment following the 1920 census, because those favoring Prohibition knew that a Congress that more accurately represented cities, suburbs, and recent immigrants would be less inclined to support stiff enforcement of the Volstead Act and would be more inclined to move toward full repeal of the 18th Amendment.  As a result of the manipulation of Wheeler and others, the Congress elected in 1930 represented the same districts as their predecessors did in 1912, a clear violation of the Constitution.

What's more, Okrent did some digging and discovered no evidence for the widely-held belief that the patriarch of the Kennedy clan, Joseph P. Kennedy, was a bootlegger.  Though Kennedy had imported liquor legally at just about the time that repeal seemed inevitable, there simply is no documentary proof that he had imported illegal liquor during Prohibition.  The rumor that the senior Kennedy had been a bootlegger, and had built his family's fortune on that, seems to have begun sometime in the 1950s and, as Okrent points out, if any evidence had existed prior to that date, Kennedy -- who had many enemies in business and politics -- would certainly have been called out on it.

Another book of history that I really enjoyed was Jennifer Burns' Goddess of the Market:  Ayn Rand and the American Right.  Burns, who teaches at the University of Virginia, wrote a page-turner about the Objectivist philosopher and novelist's life.

That may be hard to believe, since the outlines of Rand's career are so well-known, given previous biographies and memoirs.  Somehow, however, Burns is able to keep the reader's attention.  As I read along through the book, I kept saying to myself, "I know what happens next, but I want to find out how it happens."

Burns was the first outside scholar to be given access to Rand's personal papers and library, and the result of her research is a highly readable yet informative chronicle, not only of Rand's life but of her influence on the American conservative and libertarian movements. 

Over the course of the past eleven or twelve months, I have had at least three opportunities to see Burns speak:  once at the Miller Center, once at the Virginia Festival of the Book, and once at a forum she assembled on the idea of "liberaltarianism," or the cooperation between libertarians and liberals in the public square.  On two occasions, I was able to interview her about Ayn Rand and about her book.

In the world of entertainment, it was my pleasure to see TV's Craig Ferguson perform his stand-up act at the Paramount Theatre in Charlottesville on October 17.

In anticipation of that show, I read Ferguson's own autobiography, American on Purpose:  The Improbably Adventures of an Unlikely Patriot.

As the title implies, the story culminates in Ferguson's decision to become an American citizen.  I was actually a bit disappointed that, for all the detail about his life and "adventures" earlier in the book, the section on the naturalization process was thin.  It certainly was not as complete as the reports Ferguson gave about it on The Late, Late Show on CBS while he was going through it.  (That included numerous offers of "honorary citizenship" from state governors, including a then-unknown-outside-Alaska Sarah Palin, whom Ferguson described at the time as something of a "sexy librarian.")

Still, Ferguson's chronicle of his life growing up in a lower-middle-class household near Glasgow in the 1960s and '70s, his love affair with the United States that began upon his first visit here at the age of 13, his early life as a drunk and drug addict, his first attempts at performing (which began with him as the drummer for a punk rock band, leading to a stand-up act as the character "Bing Hitler") that included encounters with other beginners like U2 and Alan Cumming, through his long-term engagement as a regular on The Drew Carey Show and finally, his becoming the best of the late-night talk show hosts (in my opinion, at least).

After Ferguson's performance at the Paramount in Charlottesville, I noticed his tour bus was still parked out back and, curious, I found a cadre of fans standing outside, waiting for the star to emerge.  Sure enough, only a few minutes later, he came out of the stage door and signed a few autographs and posed for a few photographs.  Luckily for me and Steven Latimer, who was with me that night, Craig let us pose with him in the very last shot taken that night.  Naturally, I posted it on Facebook as soon as we got home.  It appears here for the first time outside a social networking context.

As the picture was being snapped, I said to Craig, "You're the smartest host on late-night TV," to which he replied:  "That's like being a tall midget."  Maybe so, but I stand by my statement.

For what it's worth, I also purchased Ferguson's novel, Between the Bridge and the River, on that night at the Paramount.  I have not yet had a chance to read it.

I don't read much fiction, in general, but when I received a review copy of James Magruder's Sugarless late last year, I simply could not put it down.

It has been almost a year since I read the book, but I still think about it because it resonates with my personal experience so much:  not in every aspect, but hitting a sufficient number of points on the matrix to make me believe it.

Sugarless is the story of Rick, a 15-year-old high school student in suburban Chicago during the mid-1970s who, almost purely by chance, ends up on the speech team and finds out he has a talent for dramatic interpretation (or dramatic interp, for those in the know).

Magruder's verisimilitude about high school forensics struck me more than anything else in the book, even the parts about the protaganist's struggle with coming out as gay in an era far less accepting of that than it is now.  His descriptions of the scenes at speech tournaments are amazingly accurate, and his portrayals of coaches and competitors are eerily familiar to me.

The one detail that other readers might find difficult to believe is the choice of the protaganist's speech coach to have him do an excerpt from Mart Crowley's play, The Boys in the Band.  People unfamiliar with high school forensics may think that a play about gay men would be off-limits, especially in 1976, and especially in the American Midwest.

The truth is, a cutting from The Boys in the Band was circulating at that time, and my own coach asked me to do it.  For reasons unrelated to the content of the piece, I ended up doing a different selection.  (If I recall correctly, it was the courtroom scene in A Man for All Seasons, a far more conventional choice.)  So I can testify against the doubters that an excerpt from The Boys in the Band was, indeed, being performed on the high school forensics circuit in the mid-1970s.

Having just seen the excellent documentary about Crowley and his play, Making the Boys, at the Virginia Film Festival, my memories of reading Sugarless earlier this year and my own experience in high school rushed back to me.  I recommend Sugarless to anyone who has competed in speech and debate or to anyone who was once a gay teenager.  It's an excellent book, and a compelling read -- a real achievement for a first-time novelist, even one who, like Magruder, is an accomplished playwright and translator.

(This review essay is excerpted from a longer blog post at Rick Sincere News & Thoughts on November 28, 2010.)

'Middle Passage,' by Charles Johnson

Despite my protestations that I had never before reviewed a book of fiction, the late Colin Walters, then books editor at the Washington Times, insisted that I try my hand at reviewing Charles Johnson’s novel, Middle Passage, which went on to win the National Book Award for fiction.

This book review appeared in The Washington Times on Monday, July 23, 1990. I believe it was the last occasion (among many) when that newspaper published one of my book reviews.


High-seas adventure for a freedman stowaway on a slave trader’s ship


MIDDLE PASSAGE
By Charles Johnson
Atheneum, $17.95, 209 pages
REVIEWED BY RICHARD SINCERE JR.

A blend of mysticism and historical realism, Charles Johnson’s third novel, “Middle Passage,” has the potential to be some Hollywood scenarist’s movie blockbuster.

Though it lacks a hero like Indiana Jones or a villain like Darth Vader, it has all the other elements — love and romance, high-seas adventure and cannibalism — that provide an evening of light entertainment.

Set in 1830, the tale begins in New Orleans, where Rutherford Calhoun, a freed slave who has turned thief and vagabond, stows away aboard a ship in order to escape a shotgun marriage arranged by the local gangland boss, Papa Zeringue.

The ship turns out to be the Republic, bound for Senegambia to pick up a cargo of slaves — and much more. Like other novels that deposit their protagonists in unlikely, uncivilized situations, “Middle Passage” shows the literal sea change that Calhoun, the protagonist and narrator, undergoes as he learns cooperation, responsibility and comradeship after an earlier life as a ne’er-do-well.

Throughout, Mr. Johnson draws together disparate and seemingly unrelated plot strands into a Dickensian web of coincidence that unpredictably brings us back full circle.

The novelist says in the book’s press release that his intention in writing the novel was to create “a genuinely philosophical black American fiction." This book certainly contributes to that goal.

While one might expect salty speech from sea dogs and gangsters, one does not expect a discourse on metaphysics. Hence Calhoun can discuss the German idealist philosopher G.W.F. Hegel and the cosmos with the Republic’s captain, Ebenezer Falcon, a dwarf with an overpowering and driven personality — a 3-foot-3-inch Capt. Ahab.

Mr. Johnson has quite consciously chosen to ignore the expectations (should we say prejudices?) of readers by drawing characters who are well-read, well-traveled, well-mannered and well-moneyed — despite their origins as slaves or children of slaves, or their descent into drunkenness and despair.

The writer is also a master of irony and measured understatement. Take this passage, in which Calhoun is seeking a tavern, to drown his sorrows before he marches unwillingly up the wedding aisle:

“The place was packed with seamen. All armed to the eyeballs with pistols and cutlasses, scowling and jabbering like pirates, squirting jets of brown tobacco juice everywhere except in the spittoons — a den of Chinese assassins, scowling Moors, English scoundrels, Yankee adventurers and evil-looking Arabs. Naturally, I felt pretty much at home.”

Later, upon being discovered on board the Republic, Calhoun is confronted with the ship’s first mate: “Of all the faces present his seemed the most sympathetic. In other words, his was the only one not pitted by smallpox, split by Saturday night knifescar, disfigured by Polynesian tattoos, or distorted by dropsy.”

Despite his diligent attention to historical detail, Mr. Johnson has marred the narrative slightly by a few anachronisms that a sharp editor should have caught.

Though the story is meant to have been written in the summer of 1830, there are references to “the Missing Link between man and monkey” (Charles Darwin’s fame was some 30 years away); to a man with “more wives than a Mormon elder” (Joseph Smith was just getting started in upstate New York in 1830); and to “time zones,” a concept not introduced until 1883.

Remarkably, despite the overarching presence of the slave trade and the vivid depictions of the mistreatment of Africans by their captors, Mr. Johnson has little that is explicitly negative to say about race relations in the antebellum American republic.

Despite his black skin, Calhoun is treated as an equal by his shipmates, so long as he can do the job he is assigned. Calhoun’s erstwhile fiancée, though black, travels in polite-society circles. Calhoun’s ex-master, a Protestant clergyman steeped in Thomist philosophy, treats his two favorite slaves (Calhoun and his brother) as sons. Blacks and whites interact untroubled aboard a cruise ship.

Nonetheless, Mr. Johnson does make some subtle comments about modern issues. Is it an accident that the ill-fated vessel of “Middle Passage” is christened the Republic? Could the following lines about the black mob boss Papa Zeringue have any bearing in contemporary urban society?

“For some blacks back home, those who did not know the full extent of his crimes, Papa was, if not a hero, then a Race Man to be admired. ... Once he bought a business, he never — absolutely never — sold it back to white men, because he feared if it left black hands it might never return.

“Aye, for many he was a patron of the race, a man who lent money to other blacks, and sometimes backed stage plays written by Negro playwrights in New Orleans. Could evil such as his actually produce good? Could money earned from murder, lies, and slave trading be used for civic service?”

“Middle Passage” is not easy to read. It is intellectually challenging and purposefully complex. Charles Johnson has made a fine contribution to historical fiction with this tragicomic treatment of our national shame, slavery.

Richard E. Sincere Jr. is a Washington free-lance writer and critic.